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Alienated Romantic Populists Although it may seem contradictory to label Zola's revolutionaries, whom many critics have observed to be conspicuously similar, romantic populists at all, their careers and their characteristics are quite unlike those of Michelet's own life or of Hugo's revolutionaries.

Nor are Zola's revolutionaries much Prostitute in lantier the Princess Casamassima or Hyacinth in James's novel or like Beramendi in Galdos's, as we shall see in the following chapters.

Thus, Zola's revolutionaries make their journey away from the people attempting to escape them. Zola's romantic populists are like those of James and Gald6s in that they espouse that romantic revolutionism—at least in the earlier moments of their development before frustration drives them to more violent and radical extremes.

No doubt, as a group they invoke the name of the people less, but they assume the same virtue and heroism of the people that Michelet seems to; thus they all generally seem profoundly ignorant of or reluctant to acknowledge the realities of human nature and imagine instead a perfect, utopian world as the result of the revolutions of which they dream.

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